Vintage Religious Painting 1950s Madonna and Child with Mary Magdalene, Coptic Ethiopian Style

Vintage Religious Painting 1950s Madonna and Child with Mary Magdalene, Coptic Ethiopian Style Vintage Religious Painting 1950s Madonna and Child with Mary Magdalene, Coptic Ethiopian Style — photo 2 of 11 Vintage Religious Painting 1950s Madonna and Child with Mary Magdalene, Coptic Ethiopian Style — photo 3 of 11 Vintage Religious Painting 1950s Madonna and Child with Mary Magdalene, Coptic Ethiopian Style — photo 4 of 11 Vintage Religious Painting 1950s Madonna and Child with Mary Magdalene, Coptic Ethiopian Style — photo 5 of 11 Vintage Religious Painting 1950s Madonna and Child with Mary Magdalene, Coptic Ethiopian Style — photo 6 of 11 Vintage Religious Painting 1950s Madonna and Child with Mary Magdalene, Coptic Ethiopian Style — photo 7 of 11 Vintage Religious Painting 1950s Madonna and Child with Mary Magdalene, Coptic Ethiopian Style — photo 8 of 11 Vintage Religious Painting 1950s Madonna and Child with Mary Magdalene, Coptic Ethiopian Style — photo 9 of 11 Vintage Religious Painting 1950s Madonna and Child with Mary Magdalene, Coptic Ethiopian Style — photo 10 of 11 Vintage Religious Painting 1950s Madonna and Child with Mary Magdalene, Coptic Ethiopian Style — photo 11 of 11

A rare and fascinating religious painting depicting the Madonna kneeling in adoration before the Christ Child, radiant with concentric circles of light.

Behind her stands an imposing figure of Mary Magdalene in a brown robe, holding a Coptic cross, her gaze directed outward as a sign of protection.

Iconographic details

The Madonna: Kneeling, simple face, blue robe – representing humanity in adoration

Mary Magdalene: Austere face, larger dimensions, brown robe, Coptic cross – representing the "Isapostola" (Equal to the Apostles) in Eastern tradition, protector and witness of the Resurrection

Jesus Child: Enveloped in radiant light – symbol of the Incarnate Word. Style and origin: Strongly influenced by Coptic and Ethiopian Orthodox iconography, with possible syncretic elements.

The cross with the typical Ethiopian processional staff (the "ball" at the base) is a distinctive detail of this tradition.

Support and date

Oil on pressed cardboard panel with period honeycomb texture on the reverse. The panel bears the original manufacturer's label: "Julens – Panneau préparé pour la peinture". Julens was a French brand of art materials active between the 1930s and 1950s, confirming the work dates to the 1950s and was likely executed in France or Belgium using locally purchased materials.

Details

Medium: Oil on panel (Julens prepared board)

Dimensions: 48 cm x 40 cm (18,9cm x 15,7cm inches)

Period: 1950s. · Signature: Karma

Condition: Good condition. Delivered without frame.

Shipping

Protocol-Star Express shipping with protective packaging.

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